Saturday 11 May 2013

The Golden Chain and The Lonely Road - Chumbley

A typological study of Initiatory Transmissions within the Sabbatic Tradition


by Andrew D. Chumbley

Initiation, the passing -on of power, the step of the mortal foot across the threshold of the gods, the hearing of the watchword, the reception of the book, the dreaming-draught sipp'd at midnight, the lonely stand in the heart of the Wild....many are the ways of induction into the Circle of the Sabbat, many the waymarks - the moments of realisation - that lead the Spirit through the winding ways of all ecstasy!
In its essence, initiation is the entrance of an individual into a Mystery and the ingress of that Mystery into the individual; it is a simultaneous rarefaction and reification; a nuptial union of Self and Other in the mirror'd circle of Gnosis. Whilst the essence of the matter may be 'pointed to' by such a description, the truth of initiation is of necessity a secret that cannot be divulged; it is the Grand Arcanum, the Mysterium that forever dwells beyond... in Silence profound and deep. And yet, by considering the outward appearances of initiation, the forms which it assumes in terms of perceptible manifestation, we may enter into discussion and endeavour to arrive at a comprehension of its diverse arcana. 
 If justice would be done to its subtleties the manifold complex of initiatory 'forms', as extant within contemporary Cunning Craft praxis, deserves a broad and detailed study. In the following pages an attempt will be made to accomplish this, to distinguish between the 'types' of initiation which may occur for a Seeker upon the Path of the Elder Craft, and furthermore to define the various strands of magical transmission which may be considered as 'lineages' or 'chains of gnosis' in and of themselves. In attempting to do this I shall admittedly be drawing directly from my own experience, specifically from that which I have gained as the present Magister of the Cultus Sabbati. Consequently, a subjective delimitation of the topic is inevitable. Indeed, because the 'Tradition' of the Elder Craft is of so many guises and localised variations, no definitive account of initiatory processes may even be tenable. 
Undoubtedly omissions and generalisations will occur and for these I offer an apology in advance. Nonetheless, it is hoped that the broad schemata as given below will serve to clarify and to deepen an awareness of the matter in ways hitherto unexplored. With this intent the following article is offered as a stepping-stone to the wiser future of the Way and its children.
 
Passing the Fire-brand of Tubalo-Lucifer: Ritual Initiation
 
The customary method of entrance into the Sabbatic Tradition is via formal ritual induction. This can take various forms, ranging from the simplest act of ritual 'authorisation' to the so-called 'Grand Array' of the full Sabbatic ceremony. Within the Cultus Sabbati there are various concurrent lineal streams, and it is from their example that I shall draw in the discussion below.
The founding lineage of the Cultus is that of 'The Red Snake', descended from a Buckinghamshire stream of Cunning-craft practice and folk magic. In terms of its outward expression through ritual practice it has changed with each successive generation, but at its core a body of sorcerous principles is maintained and it is upon this 'Alphabet of Arcana' that each generation 'fleshes out' its own particular mode of practice. In terms specific to ritual initiation, the principles informing the general process are observation, dedication, formal tuition, and ritual focus. In manifestation these principles combine in a process lasting a minimum of twenty-one months, culminating in the focal apotheosis of a final initiatory ceremony.
From the previous Magister of this lineage I was taught that a candidate is chosen by signs and omens, and that it was forbidden for any outsider to ask directly for initiation. The omen-chosen candidate is firstly 'watched' for a period of time, no less than nine lunar months. During this time, called 'The Gestation', the candidate is observed for clear indications of the requisite skills and characteristics which the Path will demand. If deemed suitable, the candidate is then asked to undergo a ceremony called 'The Rite of Dedication'. This formally acknowledges their aspiration and magically 'places the step' onto the Path.
After the Dedication Rite a period of formal instruction begins, lasting one year and one day. During this time the novitiate and initiator embark on a pilgrimage which leads both full-circle around the horizon of the Sabbatic Mysteries. For the candidate, the deed of walking the circle becomes a journey around the perimeter of the soul, a microcosmic quest to ensorcel the All-Possible of his or her own Self-existence. 
Having successfully passed through the period of tuition and the various ordeals and austerities which it demands, the novitiate is 'summoned' - formally entreated to undergo the Rite of Initiation. The Initiation Rite is 'the Seal of the Mysteries' and serves as the focusing context for all that has passed between the aspirant and the Initiating Power (the Initiator in all its forms: the physical teacher, the spiritual guide, the familiars and guardian-spirits of the path, the diverse lessons of praxis, the dreams, visions, and solitary realisations, et alia). All that constitutes the 'Initiator' confronts the Seeker and guides him into the True Circle of the Arte Magical. 
 In the singular magical act called 'The Passing-On of Power' all is drawn within the One; the Initiate, Initiator, and the Mystery of the Rite itself are aligned to open the way for the 'new-born child of Witchblood'. The act of the 'Passing-On' confers the 'power' of all the Tradition, its knowledge, customs, and craft. Once this 'Power' has been received, it is the task of the newborn initiate to realise the arcana for himself - to realise his own autonomy and to go forth anew according to the signs and omens of the way.
In summary, this is the way in which initiation occurs within our own circle of practise. The exact details of its process will doubtless vary from one instance to the next, but the core principles are maintained; for they are the very manner in which 'the firebrand' is passed from one generation to the next. In the fulfilment of his 'Making' the initiand is ritually 'authorised' to act as an autonomous participant and representative of the Tradition. His or her name is entered into the Book of Lineages and the names of fellow brethren are communicated.
Within the ambit of the lineage in which the above process is actuated there are no grades or degrees beyond the principal initiation ritual, although it must be stated that some traditional lineages, such as The Black Boar and The Serpent-Cross, do utilise graded structures. In the case of the Black Boar lineage, for example, a Three Degree system is operated, broadly based upon the Apprentice, Journeyman, and Master grades of Freemasonry and medieval Craftsmans' Guilds. In this system the First Degree corresponds to the Dedication Rite; the Second Degree marks a mid-way stage - suitable if someone does not possess the requisite ability to receive the full empowerment; and the Third Degree corresponds to the final Rite of Initiation.


Although it may be affirmed that in the Cultus Sabbati there are no additional grades of attainment that apply to all individuals, it must paradoxically be stated that a strict hierarchical division of roles is traditionally operated. The offices of Elder, Magister, Maid, Priest, Priestess, Summoner, Seeress, Verdelet, Chronicler and Ward, are based wholly upon the skills that individuals possess and demonstrate; the 'raising' of an individual to any such position is furthermore subject to the consent of both Brethren and Spiritual Patrons.
As aforesaid, within the Cultus different 'lineages' of Craft observance operate concurrently, sometimes crossing, sometimes remaining categorically distinct. What is it that distinguishes one lineage from another? It is primarily the particular knowledge and characteristic customs of a particular Master-Pupil chain of transmission which marks one from another. Because of this, a single practitioner may study under different teachers to receive different bodies of knowledge and to receive to 'power' of distinct lineal paths of the Sabbatic Gnosis. So long as each lineage is appreciated for its own autonomous integrity, an individual can possess authority in a number of different streams without compromise. A broad experiential basis is commendable, but it is the unique transmission (see below) which validates the path of such a wayfaring Journeyman.
Of all the diverse aspects involved in the process of formal ritual
initiation it is the focal role of the final apotheotic Rite and the ability
of its central deed, the Passing-On, to act as the 'Seal of Power' for all
initiatory relations which is of paramount importance. For those of the
Path, the reception of the 'Power' activates the spiritual bloodline: the
legacy of the Fire-brand from the Elder Gods, from Old Tubalo the
Light-bringer, through the Race of the Watchers and the Companie of Faerie,
down through the golden chain of hand-to-hand-to-hand....to now.
Midnight's Lightning: the Lineage of Unique Transmission Vision
An Omen-bearing Bolt of Light held in the hands of the Daemonic
Gods: an intercession trespassing fates, a revelation that brings forth to
flesh the link between the visible heart of Man and the Invisible Heart of
the Mysteries. Such is the Way of Midnight's Lightning!
The Spirit-bestowed Vision that reveals itself to the Mind of the Seeker
incepts and passes the Power for the Lineage which we may call: 'The Unique
Transmission'. Whether within the conclaves of a formal ritual catena of
initiates or in the subtil 'cavern' of solitary practice, whether called
forth by intent or made manifest by a sudden epiphany of the Gods, the Power
of Revelation is bestowed solely to its chosen vehicle, the divinely-elected
individual, and there-in it 'incarnates' - as a faculty, an opening of the
inner eye that directly apprehends the Mysteries.
For certain individuals there is an innate capacity to comprehend the
Mysteries of the Witanic Path, to understand without learning. Such may be
an indication of rebirth within the transcarnational lineage of Witchblood,
or a sign of new dispensation: a Master of the Lonely Road. For there are
some to whom all outward rites are but a blessing, a confirmation of that
which has been attained by interior disposition. Such individuals enjoy a
rapport with the Gods and possess a clarity of Vision that cannot be learned
or taught, such souls are born into the House of Cain and bear His Mark
within.
Moment by moment, the Way of Midnight's Lightning is a tortuous path for its
adherent. One is dependent upon divine favour and openness of heart to
maintain the continuity of inspiration, and yet its blessings far outweigh
its bane. For there is a Solitude in this Path, 'a Marriage that divorceth
all Other', in which Perfect All-oneliness may be realised.
Within the ambit of 'Unique Transmission' one may consider that an appointed
individual may receive entire bodies of lore, whole Rites and Mysteries. In
such instances, the ritual authority to teach others and to incept a lineage
for a specific corpus of knowledge is divinely sanctioned. Whilst any man or
woman may claim to have received a 'vision', the motives of such claims are
made apparent by certain external signs; as the Gospel teaches: 'one must
test all things and hold fast to that which is good'. If your path leads you
to meet with a true beholder of the Mysteries, an initiate without mortal
intercessor, then consider yourself blessed indeed. To learn from such a
person could reveal more of the Craft than any store of knowledge
accumulated through the passage of years. From experience I would counsel
caution and prudence, but if truth be found then I believe we should respect
those who have gained the favour of the Divine.
To speak boldly, I consider that the Lineage of Unique Transmission, as
incepted by the self-recognition of one's innate 'seed of light', is a
prerequisite for all who practise the Arte Magical. Perchance all Beings may
possess that spark within themselves, but the rubicon between initiate and
uninitiate is the self-recognition of that spiritual seed. For unless that
inchoate germ of the magical life awakens to itself there can be no growth,
no quickening of the soul-fire. The Unique Transmission is Old Fate's
blessing: the secret rapport between the Gods and the Soul; no other may
tell of it. Its outward signs are inspiration and knowing, married in an
indefinable state whereby a man becomes Mage.
Within the Cultus Sabbati 'the Way of the Flaming Torch' and 'the Way of the
Lightning-bolt' are known as 'The Dragon's Horns'. It is considered a worthy
aspiration for a Wayfarer to realise the union of the twain: the non-dual
path of the Double-way. Because of this dual emphasis, it is considered that
only those with the capacity for receiving teachings and who bear the marks
of 'unique transmission' - whatever the degree of manifestation - should be
invited into the formal sodality. A witch born to the Path may still spend
many years struggling to make manifest that which lies within and yet by
vertu of the Traditional Rites an uncommon fate may be swiftly seized; unto
such individuals the process of tuition is in truth a Path of Remembrance: a
reclamation of ancient birthright.



Mystery Rites: the Lineages of Magistry


A customary demonstration of 'Attaining the Dragon's Horns' (the Union of
Unique Transmission and Lineal Empowerment) is for an initiate to compose a
Grand Mysterium or Mystery-rite. Such rites are comprised of diverse
'oracular' utterances, magical ordeals, and highly specialised modes of
initiation into specific 'states' of magical rapport with powers and
entities. The composer of a Mystery-rite is known as its Master or Mistress,
and it is at their behest that the rite is performed or its textual form is
transmitted to others. In and of themselves Mysteria of this kind are Grand
Initiations serving to convey the lineages of certain spiritual entities or
magical techniques.
Within the higher body of our magical lore, known as 'The Gnosis of the
Crooked Path', there are numerous examples of such advanced workings. For
example, 'The Rite of the Turnskin'. This is an initiatory procedure
intending the entrance of the aspirant into the circle of therionic
atavisms: the Zodiak of Living Forms. By passing through its ordeals the
Skin-leaper's Arte is impressed upon the flesh; the bestial ancestry of an
individual is 'raised', made self-conscious in his sentient physicality; the
animal-headed god is realised!
Another notable example is 'The Devil's Masquerade': the initiation rite of
Draku-Ezhu, the 'Grand Famulus' of the Crooked Path Teachings. This
particular Mystery-rite obtains the meeting, soul to soul, between the
Aspirant and the Deity.
In the stream of Sabbatic Wisdom descended from Yelda Paterson through Zos
vel Thanatos (Austin Osman Spare), there is a line of transmission
facilitated by the 'passing -on' of a spirit-familiar. In its contemporary
manifestation this arcanum has itself 'fleshed out' via the medium of a
Mystery-rite, 'The Black Eagle Rite', simply named after the spirit itself.
This instance in itself serves to illustrate that a certain type of magical
lineage is principally conveyed via the inheritance of spirit-familiars. One
might consider that the animal-totem, be it Eagle, Snake, Fox or Boar,
functions as a 'mask' for the informing sentience of such traditions.
Mystery-rites, in and of themselves, communicate the Lineages of Magistry
and serve to transmit the states of magical attainment needful for the
on-going realisation of their diverse and specific currents. The absorption
of thought, word and deed in the all-consuming process of such rituals (many
being of great duration and procedural complexity) facilitates the
saturation of the mundane self with the magical ambience of a state or
entity. Herein the impress of the Unseen Initiator upon the matrix of
sentience or 'Mind' is most powerful and efficacious. In practice,
Mystery-rites comport additional 'degrees', adjunctive zones of empowerment,
to which an aspirant has access and in which he or she may gain authority.


Self-initiation


If by predilection one is led to the Craft and the only means of entrance
there-to is by an initiation self-performed, then let that gate be freely
and rightly chosen. If the individual is led there-to by dreams and
portents, and is told how to perform such a rite then a Way of Unique
Transmission is revealed. If a person accomplishes such a task, then I do
not consider anyone else - high or low - has the right to doubt that which
essentially does not concern them. In fact, it is wiser for us to respect
those who enter the Path by such means, for Witchblood's heart is reached by
many veins.
Distinction should be made between those with Vision and those without. If a
person is without signs or inner guidance, and merely engages in a
prescribed formula of self-induction according to the dictates of some other
mortal authority, then from whence does their apparent empowerment derive?
If a prescribed formula or text is used, then one must truly engage with its
spiritual essence and seek to establish an interior connection. Fulfilling
an outward process of ritual is not initiation; unless the interior link
between Self and Other (whether that Other be Man, Deity, or Spirit) is
attained then no initiation exists. If a prescribed formula is used and
signs ensue, then a link is assured, but it is best if a rite of
self-initiation is principally constructed according to divinely-received
lore.
Can a Self-initiate initiate others? If the basis of their Self-initiation
is by a lineage of direct and unique revelation and if a corpus of teachings
derives from such an epiphany, then we must be confident and affirm the
ability of one to teach another, to pass on that which the Gods have
revealed, if only to assist a student to gain self-initiation for
themselves. If the Gods reveal themselves then it is with a courage that
equals their blessing that we must claim our own spiritual authority and
legitimisation. The truth of our vision is aptly tested by this need for
bravery; to stand alone, a Masterless One among Men, is a fate most rare.
Remember, a tree is known by its fruit; communicable inspiration is the
proof of spiritual empowerment.
 

Imaginal Transmission
 

It is sometimes found that self-initiates suddenly 'invent' a history for
their own legitimisation; curious tales of hereditary teaching or of
meetings with nameless strangers may occur. Instead of dismissing such
claims out-of-hand, we might be wiser to encourage such people to work with
their imaginations and discover what it is that is trying to manifest
through them. The 'falsehoods' may in some instances be adumbrations of
something more interior, but first such individuals must be made aware of
the inner process whereby phantasy assumes the guise of historical reality.
A refinement of method is required in order for us to recognise the imaginal
fore-shadowing of spiritual presence. As aforesaid, communicable inspiration
is the simplest sign of veracity. Where a genuine interior activity is
augured and imaged-forth in phantastical invention, let us consider that the
Divine Imagination contains its own denizens - the 'messengers' of godhood,
and that the shadows thereof may impress themselves in 'types' conducive to
the perceiver's apprehension. The open mind thus behold the whispering
daimon as an ancestor - an elderly forbear, or as a stranger, a 'black man'
bearing a curious gift of book, beast, or secret salve. The Sabbat is an
astral conclave, a state of gnosis in ecstasy, its impress upon Mind is
beyond all simple reckoning. If we can guide well in instances where its
activity is fore-shadowed in the play of imagination, an individua l may gain
insight and succeed in establishing an interior link with the current, above
and beyond the mere outward show of an apparent 'history'. Imaginal
Transmission may therefore serve as a means of attaining a lineage of direct
revelation.
For the sake of caution, it is perhaps wise for us to speak plainly: where
genuine inspiration is absent and tall stories abound, we must beware.
Whilst counselling a degree of closer analysis, I consider that those who
make a deliberate pretence of initiatic provenance in any way or form are a
danger to themselves, to naive seekers, and, in the broader sense, to the
historical comprehension of the Craft as a whole. To such people the curse
shall be of their own calling.


The Rites of One: Solitary Initiations


When talking of self-initiation, we are in a way guilty of using a misnomer.
Initiation is always a matter of relation, whether between Master and
Apprentice or between an Individual and the Deities and Powers of the
Mysteries. This being so, a ritual performed b y oneself is in truth never
really so, for the gods and powers that one calls upon are, in union, the
Other to our self: the Gods are the 'body of the Initiator'. There is always
a relation between ourselves and that which masks the Mysteries. And yet we
may say that we are alone in the flesh and in this sense call the processes
of self-induction the 'Rites of One' or Solitary Initiations.
Aside from solitary rites which manifest by way of Unique Transmission,
there are certain Craft rites which have strict prescribed formulae and
which must, of necessity, be performed alone. The Toadsman's Rite called
'The Waters of the Moon' is a well-known example. This requires a man to
find himself a toad, to impale it upon a blackthorn and thereafter to let
its body be flensed by ants. Then, taking its bones to a stream on a clear
full moon night, the would-be toadsman should cast the bones into the water.
All the world will howl and clamour, a-seeking to distract the attention
from the one bone that will move against the current; this is the Charming
Bone, said to have power over animals. Thereafter the man should take this
bone and keep it upon his person. The next three nights he should sojourn
alone in a graveyard, seeking for the power of magic. On the third night it
is said that the 'Devil' will come and try to tempt the bone away from its
possessor. If the Devil succeeds, the rite has failed. If you can keep the
bone no matter what reward is offered, you are then an initiate of the
Toadsman Rite.
As can be seen, this is not a simple procedure and will inevitably place its
operant in a position requiring independence and courage. Using the same
principle is a solitary Mystery-rite of the Crooked Path called 'The Wreath
of Seven Laughing Skulls'. This requires the practitioner to deliberately
seek out lonely and frightening places, and there to call forth the 'demons'
which produce the sensations of terror and danger. These demons are then
ritually confronted, the task of the practice being to transform the
apparent 'poisons' or mis-aligned sentiences into 'nectars' or benefic
states of potent magical gnosis: to realise the Union of Purity and Perfidy.


Oneiric Initiation and Transmission: the Silver Thread and Road of Green



A principal way in which knowledge is transmitted within the Cultus is via
dreams. Many of our rites are derived through the medium of lucid or
clear-eyed dreaming; their messages being 'fleshed out' using the bases of
traditional ritual structures, but enhanced and developed as the dream so
dictates. It is indeed considered a talent and a blessing from the Gods if
someone has the power to dream viridically - that is to dream true, with a
mind made green, 'fertile as Old Eden'.
As in the matter of Unique Transmission, if someone receives a dream of
initiation into the Sabbatic Mysteries, then that dream is considered to
impart its own lineal transmission: the Lineage of the Silver Thread. It
does not comport the same empowerment as that of formal ritual induction,
but then neither does a formal rite carry the same power as a dream wherein
one meets with the Gods face-to-face. Often these matters overlap and
provide insights into the other. However it must be stated that
dream-initiation is considered to be a valid mode of induction and as
aforesaid constitutes its own path of empowerment. Where dream-teachings are
ongoing, there the pilgrim may be said to 'walk the Green Road' - the way of
Elphame. It is considered a sign of magical veracity if one's magical name
was dreamed, by oneself or one's teacher. Furthermore, an oneiric origin for
a Mystery-rite is held in great esteem and is considered a guarantor of its
spiritual provenance as a boon from the Faithful Gods, the Witch-Fathers and
Wise-blooded Mothers.


Entheogenic Initiation: The Witches' Supper


Another form of initiation is that which is bestowed through the sacramental
use of entheogenic or psychotropic agents. Within Traditional Craft
observance this is a method of psychic transformation used principally by
experienced adepts as part of their on-going solitary initiation into the
Mysteries. Here it must be stated that the use of such substances is the
responsibility of the individual and that such practices must be undertaken
with due respect and caution. Furthermore, the use of such substances is
confined to reverential and sacramental consumption.
The range of the Wort-cunner's pharmacopoeia is as broad as the world -field
itself. In practice, different practitioners develop a rapport with
different plant-spirits and these become their especial advisors and
dream-empowering allies. Amongst the most frequently used plant-familiars
are those inhabiting Belladonna berries, Hemp, Syrian Rue, Black Hellebore,
as well as the entheogenic forms of mycotrope such as Liberty Cap and Fly
Agaric, collectively known as 'Crow's bread'. Also known is the Unguentum
Sabbati or Devil's Salve. This is an ointment used by some practitioners to
'leave the flesh behind' and travel in the Wild Hunt.
In communal rites wine and bread is commonly used as the 'Sacrament o f the
First Murder'. These are consumed as the flesh and blood of Abel, the body
of profanity which must be resurrected or re-integrated into the body of
Cain or the Initiatic self. The incorporation of more potent elements into
the Witches' Supper depends wholly upon the rite and its assembly.
In solitary rites, it is known that in some forms of Old Craft an
entheogenic elixir has sometimes been used to assist in the creation of the
initiatory apotheosis: 'The aspirant, after being mentally prepared by his
or her sponsor, and drinking of the potion, is left alone to spend the night
by three stones that stand overgrown in the centre of the wood' (Taliesin,
'A Wood in the West Country', published in Pentagram, August, 1965). This is
somewhat reminiscent of the medieval Alpine initiatory potion which provoked
its drinker to have 'all of a sudden the sensation of receiving and
preserving within himself the image of our art, and the principal rituals of
the sect' (Ginzburg. C., Ecstasies: Deciphering the Witches' Sabbath, 1989).
It is believed that unto those possessing the needful magical capacity a
plant-familiar will reveal itself - that it contains within its 'bestowed'
state of consciousness the memory of all previous practitioners'
experiences: the leaf retains the tales of the pilgrims once passed by. This
is of great use where a specific body of knowledge has become fragmentary
and must be restored using magical techniques.


Sexual Means of Lineal Succession: the Agapae of the Wise


In some traditions of the Old Craft it is said that initiation into the
'familial group' or Clan was firstly by sexual intercourse between the
aspirant and the seniormost initiate of the opposite gender. We may
conjecture as to the veracity of this. It may have been used to 'bind' an
individual into the kinship group, to make them of the One Blood. Needless
to say, we must exhibit great caution in matters so easily abused.
Regardless of historical provenance, if sexual union is employed as a
general means for induction after the formal year and a day tuition, then
absolute trust must be a prerequisite and all parties must see through their
commitment, without question or faltering. However, to my mind, initiation
via sexual action is generally best confined to higher rites as operated
between individuals of suitable adeptship. To write from experience, I was
taught that a Magister can pass on his power via sexual means only once in
his life. This might be to his chosen successor, if female, or to his own
Consort in the Craft.
We must also consider that sexual initiation can occur in the dream-state
and that the 'consent' of the aspirant may be an irrelevant consideration.
It is rather a case of personal sacrifice to the deity. From my knowledge of
both male and female adepts in the Elder Craft, the gods can and will take
lovers and by their 'elixirs' convey strange knowledges, far beyond the
grasp of mortal aspirations.
Furthermore, we should also give thought to the transmission of gnosis
between adepts via their own sexual fluids. A fully empowered consort is a
vehicle for the magical current, his or her blood and bodily fluids are
media for the powers of the Arte and its patron deities. In rites performed
by higher adepts of the Sabbatic Mysteries the Witches' Supper is literally
of 'flesh and blood' - of semen and vaginal elixirs. For it is known that
the seasons of the Moon are refracted through the vessel of the Priestess
and that the issue of her sexual mouth contains the secrets (secret-ions) of
the gnosis in a fluidic hypostasis. Likewise the seed of a Priest is the
numinous medium for the powers of the Godhead and for the concealed
radiances of the Sun. In rites employing a Seeress as the so-called
'Ophidian Oracle', a trance-state is actuated by cunnilingus and the lucid
post-orgasmic dream of the priestess is guided by external manuductive
passes and verbal conjurations. As can be seen, if one considers it deeply,
such matters cannot be operated effectively between inexperienced aspirants.
As such I conclude that it is best for such matters to be remain the
preserve of those capable of deploying their arcana with knowledge and love.
Textual Transmission: The Way of the Book
Although we may exchange money for text, money alone will never purchase
initiation, neither will text alone permit us to enter the Sabbat. And yet,
if one is possessed of the suitable capacity, lineage may be given by means
of formal textual transmission. In such an instance, the pages of a rite are
formally given by a Master or Mistress to an aspirant and the spiritual
wardens of the Book are bestowed as familiars or guides to the Book's new
owner. In cases where face-to-face tuition cannot be accomplished, a
one-to-one mode of textual transmission is sometimes utilised, most often
accompanied by a psychic linking between Bestower and Recipient. The Lineage
of the Serpent-Cross is one such example of a Sabbatic lineage externally
supported by textual transmissions and internally augmented via psychic
connectivity. In its case, the original motivation of the lineage is
oneirically derived and its method of implementation is in accord with
dream-tuition.
Where the Lonely Road guides us, where the Black Book - the Grimoire
Unknown - is revealed as a tome of some Mage's labours and from his own
hand is passed on to another, there let the spirit pass all power by the leaves
of the Book.
Omen and Element: the transmission of Spirit-Knowledge by Chance and
Circumstance
In addition to the above contexts, initiatory transmissions of another kind
may be gained through sudden 'chance' events. Perhaps only those who have
experienced such matters directly will possess an inkling of what I am
attempting to convey, but sometimes the most subtle of events - the fall of
a feather - the turn of a card - the opening of a book, can forth-show the
presence of one's spiritual guides and bring to light an imminent turn in
the path. The meetings between Man and Spirit cannot be confined to the
formal circumstances of rite and ceremony; interaction will occur where the
paths of fate cross and the aspirant is receptive, whether he or she knows
it or not.
In addition to omens, magical initiations of an especial kind can be granted
by the subjection or experiential immersion of the self in elemental power.
To pass over fire is to learn the forge's secret. To fall amid the rushing
waters and be spared is a blessing from the undines. To walk at night
through storm-wind and gale, to ascend a great peak of barren rocks; each
possesses its own arcana. We can submit ourselves to such vital trials and
seek them out with an intrepid heart. To the Master of the Lonely Road such
ordeals are allies, companions and advisors upon a path with but few mortal
compatriots.
Conclusion: Initiation is a Bridge with One End
Whilst it is evident that there is a broad range in the typology of Sabbatic
initiations as operative in the contemporary observance of the
Cunning-craft, such differentiation does not adhere to artificial borders;
type is not strictly separated from type. In the reality of practice, one
form overlaps with another and numerous combinations arise according to
circumstantial requirements. Nonetheless, an awareness of different types
permits us to gain a more refined comprehension - a subtle discrimination
between the myriad forces acting through a situation, thus enabling us to
state with greater clarity the spiritual provenance of our own individual
work.
Although initiation obtains greatest intensity when focused through a single
pivotal event, whether that be a ritual or a vision, the process of
initiation is an on-going event, a tortuous road or 'crooked path' linking
moment to moment, ecstasy to ecstasy in a continuity of being. Within the
overall complex of this continuum we may define specific strands which
combine to facilitate the transmission of gnosis to the individual;
I. The Lineal Transmission of Thought:- every nuance of the mental continuum
which bears the fruit of realisation fulfils the lineage of Thought between
the Primordial Mind - the Skull-palace of Cain - and the Present Mind, the
Skull-vessel of the Initiand. The thoughts which lead a man onto the path,
the thoughts which guide and serve in his choice-making, the thoughts which
transform the mundane into the substance for the Praeternatural Gold of
Noetic Alchemy, the thoughts which re-cognise the State that is ours in
eternity, the thoughts which flash forth in sudden ardour and goad a man to
heights of inspiration; these and an infinity of others are the gateways of
Liliya's Wisdom.
II. The Lineal Transmission of Word:- the breath which carries the Password
in the formal rite of induction is literally considered to be the same
breath carried down through the bodies of each successive Master or
Mistress; it is the 'Pneuma', the vital air of illuminative life; it is the
'One Breath', the Hyperborean insufflation from Cain to his kin. In
attenuation, this Mystery is conveyed through every word - every act of
speech, whether in waking, vision, imagination or dreaming - which conveys
the gnosis of the Arte Magical to the individual aspirant.
III. The Lineal Transmission of Deed:- every action is an interaction
between Self and Other, and is therefore a potential transaction between the
aspirant and the Initiator. The opening of the eyes, the placing of the
step, the turning to-and-fro between directions, the on-lay of the hand, the
sojourn, the flight, the labour, the rest....all may show forth the Work of
Mahazhael's Hand.
0/IV. The Great Lineage: the Path of True Witchblood:- Whether it is by
kinship, rite, vision or divine election, that one is made a 'knowing
witch', it is by birth and by birth alone that one is chosen and branded
with the Sign of Liberty: 'The Mark of Cain'. Solely Those whose aethyr
bears this seal of power partake in the One True Lineage of 'Witchblood'.
Though its design is cast though countless ways, it is ever the Path of One.
........................................
The force of the Initiator, the Spirit of Perfect Gnostic Realisation, is
perpetually acting upon the field of consciousness. Upon that great vista we
call 'Mind' the impress of the Initiating Power is perceived in instants of
direct revelation; the Spirit of Cain reifies at the 'cross-roads' of
fateful possibilities, in axial moments which transect the borderlands of
spirit and flesh. When each and every moment, in and of itself, is linked in
a continuum of gnostic rapport with the ingressing force of the magical
current, then we have attained Mastery upon the Path, but until that time we
must seize each chance and turn each opportunity into a tryst between the
soul of Man and the Spirit of Initiation. In the Name of the Nameless, so
must it be!

That Old White Magic - Norman Gills


You might find this of interest, it is a newspaper article written in the early 1970's about Norman Gills (he was one of the people that Robert Cochrane was in contact with), it's title was "That old White Magic".

The other day I called on a witch who lives in a tumbledown cottage in the middle of a busy shopping centres.

Unless you knew it was there you'd probably walk straight past the tiny stone cottage, mellowed with age, for it's the last thing you expect to find in this bustling thoroughfare of shops and modern buildings.

It stands behind a tidy, evergreen hedge and rickety wooden gate. Bright red flowers in the downstairs window immediately catch the
eye. You wonder what it looks like inside, but it's impossible to see
in. The plants, reaching for the sunlight, have completely covered the glass.

A notice on the door says, "Knock loudly". You step inside and at once get the feeling that you have walked into another world. The traffic pounding by outside is forgotten, the noise fades, a strange quiet descends. The rooms are small and dim. The furniture is dark and old. And at the end of the low narrow corridor, hung with pictures, you catch a glimpse of a garden beyond. It looks wild and
overgrown.

The casual passer-by may not notice the cottage, but there are many
people who do know it's there, for Norman gets letters from all over
the world. They stand in piles on a table in his 'workroom' at the top of the stairs.

Norman is a witch- though he prefers to be called a member of the Old Religion. He doesn't like the word witch. He thinks it 'has been
misused. The popular belief that witches are worshippers of the devil, lovers of orgies and casters of bad spells have given the craft a bad name he feels.

"It was a word created in the Middle Ages when the two sides - Christendom and witchcraft - were at each other's throats." And in
any case he belongs to the old tradition of witchcraft when all the members were true craftsmen.

He doesn't have a lot of time for "these modern witches," many of whom he feels enter the craft for the wrong reasons. "They are gimmicky people," he says. "They become witches because it's fashionable at the moment or because they think they'll get some kick out it. They have their own methods - dancing in the nude and then seeking publicity to shock as much as they can. And they don't
get the rigid training we had. So how much power have they? A witch has to substantiate his powers with proof."

Norman has been a member of the old religion since he was very young. "Everyone tried to make me a Christian," he says. "But I was always very nervous and scared of it. And there was all that hellfire teaching when I was a child. So when I was about eight years old I got hold of everything I could on the occult and studied by myself."

He began to meet members of the craft - old shepherds and gypsies around the Cotswold's. "I listened, picked up a lot and realised that I had been born with a great number of the gifts."

His ancestors, although none were actually members of the craft, were all crafty people - artists, engravers, woodcarvers. And Norman has always painted - the cottage is full of his canvasses.

In his twenties he joined one or two underground covens but not all the activities "suited" him. Essentially he is a loner, preferring to work on his own. Today he teaches witchcraft. His `workroom,' a back bedroom which overlooks the garden, has a slightly eerie atmosphere. The bookcase is packed tight with literature on myths and magic.

The tables are stacked high with strange looking objects - a witch doctor's staff, a pile of swords, a hazel twig water-diviner, Tarot cards, a real crystal ball, a golden fair- ground ball, a cauldron- "Not much used nowadays because people don't like working outside," – painted candles, faded feathers, pestle and mortars for grinding herbs, stones and fossils used in psychometric and a bed for teaching self hypnosis.

They seem a bizarre contrast to the television set painted landscapes and brightly coloured gnomes that he makes for people's gardens.

He showed me photographs he had taken of fairies "using olden day methods of summoning and photography." Goblin-tike faces peered out of tall grass, but I could only make them out after I had been give a helpful drawing to show me what they should look like.

It`s rather a strange experience talking to a witch about witchcraft. As a total outsider there is so much one doesn't understand and it would take hours of patient teaching and listening to grasp even the
fundamental details. And yet one has so many pre- conceived ideas.

"There's much more to it than dancing, round in a circle and practicing magic" he laughs. We have a completely different set of moral values for a start Women are equal in the craft, if not more than equal. The high priestess always comes first. I suppose you could call it a matriarchal society. Women can make advances and take the lead. If women's lib was to advance 50 years they would be about where we are now!"

Because their beliefs have always caused controversy the crafts that
are so much a part of' their original way of life are usually forgotten. But there is one craft that Norman is an acknowledged authority on – herbs. He's been growing them since he was five years old. His garden which I first thought looked wild and overgrown is in fact a mini-jungle of herbs and flowers of count- less varieties. With great pride he takes you round crushing the leaf or flower to bring out the sweet scents. Soon my hands were full and the smell lingered for hours afterwards.

Some of the herbs were familiar in name though I'd never seen them growing, others I'd never heard of - Virginian Poke Vervain Mullin (witch's candlewick), belladonna, old woman, old man, cotton lavender angelica, hawthorn, mare's tail balm of Gilead, valerian lovage - all growing on top of one another in big bushes or tiny clusters. There are so many that even Norman is sometimes surprised when he stumbles across one he had momentarily forgotten was there.

He can talk for hours about his herbs and their medicinal purposes`"I grow those that are difficult to find wild nowadays," he says, "Most of them I've collected from the countryside. At one time when I was young there were herb farms, but they don't exist now."

He thinks there are still branches of folk medicine that are applicable today."Members of the old religion used herbs because they had no other remedies. Many have been lost, but we still have a lot. I've cured myself of a bad touch of gastroenteritis with cotton lavender And I still like to use iodine - from seaweed - for cuts and bruises: And there's nothing like rose hips from the wild dog rose for indigestion and stomach troubles. I know they give it to children, but it's very good for adults too."

Growing things comes so naturally to Norman that he's never really thought about it. "I think it s more than just green fingers though," he says. "You must have a natural love of growing things."

He's even had a go at evolving new plants. One is a flat-topped delphinium. The other a new kind of apple. Sadly, the latter wasn't accepted. "One board said they didn't consider it superseded existing varieties and another said they didn't t want a dual purpose apple. It was a cooker and an eater you see."

I had to ask the obvious questions. Can he magic warts away? He laughed. "There are lots of methods. At this time of the year you'll find some people rubbing them with the inside of a broad bean and then throwing it up the chimney. But the one I've used quite successfully is to rub the wart with a snail and them impale the snail on a hawthorn. When it rots so does the wart."

And where was his steeple hat. "Oh we don't wear those nowadays,
they're far too much trouble."

Suddenly I was back in the roaring, traffic again.

Originally from 'The Oxford Times'

The West British Elven System - Pennick

The West British Elven magical system

The Elven System is the underlying principle of a hereditary tradition practised in Wales and the west of England. It was revealed publicly by Dr David B. Shirt in 1988...
The Elven System is described by a diagram which depicts the seven aspects of being, each ruled by an Elven power. This power is called a 'Lord', but it has both female and male aspects. The diagram is an equilateral triangle within a square. A line cuts both square and triangle in two. The four corners of the square represent the four rulers of the elements. These elements are the Light, the Rocks, the Waters and the Airs. They are ruled by the Sun, the Earth, the Moon and the Stars respectively. Fire and Ice are not elements in the Elven System. They are considered to be the destructive aspects of Earth and Water respectively. The outer square of the elements is orientated with its corners towards the cardinal directions. Light is located in the East, the Rocks in the South, Waters in the West and Airs in the North. The triangle represents the three Lords of Life. 
At the apex, towards the North-East, is Oberon. He is the High Lord of Elves and Humans who appears in William Shakespeare's A Midsummer Night's Dream. The other two angles of the triangle are dedicated to the Lords of animals and plants, respectively, although no names are given in what remains to us of the Elven system. Unlike the female/male aspects of the other six 'Lords', Oberon is 'complete' (i.e. Androgynous). The full complement of Elven powers is thus 13.
The line which cuts both square and triangle is the 'horizon'. It runs from North-West to South-East. Above the horizon, to the North- East of the line, is the light and airy spiritual world. Below the horizon, to the South-West of the line, is the damp and earthy physical world.
From "Secret of the Runes" by Nigel Pennick